Behind the Texture with Barbara Klein

Behind the Texture

with Barbara Klein

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My name is Barbara Klein and I have been the owner of Creative Impressions since 1998. I am an accomplished Decorative artist that has been trained extensively to use a multitude of products as well as learning a variety of finish techniques that are applied to many different surfaces. I love creating unique and custom finishes for someone’s business or home. The many years of being in this industry and attending classes has allowed me to stay up on the cutting edge of design and updated on product knowledge. Passion and precision is implemented into every job I complete. It is important to me that any finish I design elevates the space and creates an inviting mood.

When you were a kid, what did you want to be when you grow up and why?
As a child I had a love for fashion and design. After graduating from High school I worked in retail and enrolled in Fashion Merchandising in College. After one year of college I dropped out of the program and changed my career path to become a Respiratory Therapist. I stayed in the medical field for over 15 years but felt I was still wanting to utilize my creative side that brought me so much joy.

How did you get started with decorative arts?
After working many years in the medical field I needed to change course again and do something that would fill my soul and utilize my love for creativity. I found a store in my area that was offering classes on faux finishing and stenciling. I fell in love with what I learned and started doing finishes for friends and family. It was because of the encouragement of those I did work for that I opened up my faux finish and custom stenciling business.

Then I met an artist who told me about a decorative painting group that had conventions and offered more in depth classes. Once I joined this group in 1999 and went to my first convention I knew I found what I was missing in my life. I still look forward to learning about new products and finishes because everything is always changing and it allows me to stay current for my clients.

What are some of your favorite decorative trends? Are there any you don’t particularly like?
Knowing there are many artists or painters around me that are also in the faux finish industry it is part of my business practice to find unique products that I can offer that others are not. Some of those products are implementing glass bead texture and foils into some of my finishes. I have done embossed stenciling with glass bead and mica on walls that adds another dimension to the finish. I also love using decorative foils on furniture and walls that can elevate any finish in order to coordinate with the surrounding area.

In my industry the ceiling is considered the 5th wall and seems to get overlooked as an opportunity for finishes. It is my least favorite place to apply color and design because of the difficulty factor but it does give the space a purpose to complete the final look of the room.

Is there a person in particular that has had a substantial influence on your style?
In the year 2000 I attended my second convention that was held in Houston, Texas. It was at this convention that I found out my husband knew a very significant person who is well known to the Faux finish industry. This person is none other than Gary Lord who I had watched on many TV shows teaching how to do different types of finishes. They knew each other from their college days in the 70s.

Gary was kind enough to invite me to his morning class so that I could see how classes were conducted. Meeting Gary and getting to know the group of teachers he knew was very pivotal in my career as a decorative artist. From this point on I knew it was important to continually educate myself so I could keep improving my skills and continue to increase my product knowledge so that I could guarantee longevity of the finishes to my clients.

I am so grateful to all who I have met over the years because they have shared such valuable information and I treasure the relationships I have made. It saddens me to know some of my favorite teachers have retired but I am always open to learning from new teachers that are coming into our industry. I believe even at my age you are never done learning new things and growing as an artist.

What does a work day look like for you?
My work day always starts by setting up and securing my work space. First day is always spent preparing the room and getting all my supplies ready for the application of the finish my client has selected. Once the prep work is done it is time for the application to be started. The number of days worked depends on how many layers are needed to reach the final look. My day ends by cleaning up the work area, washing my tools and making sure none of my supplies or equipment are inconvenient to someone’s home. It warms my heart when I return to some homes years later to see that the finishes I have done are untouched and still loved by the homeowners. Some homes I have previously worked in have sold because the finishes gave the room beauty and purpose.

What’s your go-to restaurant for a work lunch?
It is part of my business practice to know how many days it will take to complete my job. Depending on the complexity of the finish I set goals to get done everyday that takes into consideration dry time of the products used. So it is important for me not to leave the job site for lunch so that I can stay on schedule. My practice is to bring any food and drink with me to the job site and take small breaks throughout the day. This system allows me to usually finish on time unless I happen to run into unexpected situations.

Explore more of Barbara’s work at creativeimpressionspainter.com.

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Behind the Texture with Michelle Kesselman

Behind the Texture

with Michelle Kesselman

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Hi! I’m Michelle. I am the owner of Meesh Paints LLC, a decorative painting company in NYC. Although based in New York, I have painted all over the country as well as internationally. I paint residential and commercial spaces, painting anything from walls to floors to ceilings, furniture, canvas and more. My work is a reflection of my deeply rooted passion for painting and art. With decorative painting, the paths you can take are endless, and I am always excited and eager to explore.

Where are you from? Where and what did you study?
I am originally from New Jersey, but have lived in Brooklyn, New York for the last 7 years. I graduated from Indiana University Bloomington in 2010 with a degree in Studio Art with a concentration in printmaking and sculpture and a minor in Art History. In 2015, I attended the Van Der Kelen Institute for Decorative Painting in Brussels, Belgium.

What influences do you think shaped your approach to decorative art?
My teacher at Van Der Kelen, Denise Van Der Kelen, is a wizard with a brush and I had the honor of learning my foundational knowledge of decorative painting from her. I am heavily influenced walking in the streets of New York City daily, by the places I have traveled and cities I’ve lived in…intrigued by the details of everything around me to a fault- the hues of nature, the shapes of buildings, the textures of walls, and the way the colors, the look, and the feel of spaces change from day to night. I like to put a new twist to my finishes while still honoring ancient decorative painting techniques.

What’s your favorite part about your job?
My favorite part about my job is the creating and painting whilst bringing joy to people. If it’s an interactive paint job, a children’s bedroom, or even a canvas, to see that it’s making people feel something makes it all worth it.

Do you play music while you work and what kind?
I love playing music while I work (you’ll sometimes find me dancing on-site), it all depends on the day, the project and the mood! My playlist evolves all the time, but currently I’ve been listening to Billy Strings, Dope Lemon, Erykah Badu, Hiromi, Bobby Womack, and always the Grateful Dead. If it’s not music, it’s usually a True Crime podcast, and if it’s not a podcast it’s an audiobook (Just finished Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin).

If you had to pick just one color that represents you, what color would it be and why?
Blue — with its many different and unique shades, blue feels open and deep, warm and cool, fun and loud while also being soft and inviting.

When you’re not at work, what can we find you doing?
When I’m not at work, I’m either hanging out with my fiancé Jeremy and my dog Potato, traveling, escaping the city to nature, or spending quality time with friends.

Explore more of Michelle’s work at michellekesselman.com.

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Behind the Texture with Jacqui Mason

Behind the Texture

with Jacqui Mason

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I am one of those fortunate people who have been able to combine my cumulative life experiences and passion into developing my business Alluring Wallscapes LLC. I specialize in creating mesmerizing focal walls, mimicking high end wallpapers and transforming the appearance of ordinary surfaces giving them a remarkable and invigorating update.

How did you get into decorative arts and was it a career you saw for yourself early on?
Growing up, I worked with my mom in her antique store, “staging” areas for furniture display and helping her clients find just the right piece to achieve the atmosphere they wanted for their homes. Understanding a client’s style and vision is fundamental to the work that I do today, which I think of as a collaboration between us to bring their vision to life and sometimes to help them understand what works or doesn’t work in their space.

As a graduate of The Fashion Institute of Technology in New York City, I learned concepts of interior design: valuable insights of color theory, idea visualization marketing and communications. At my first job with a prestigious package design and marketing, I learned how research on consumer preferences/desires is then artistically fused and utilized to create the successful packaging of products. Some years later, I was inspired to start a home staging company which was unheard of at the time on the east coast.

After moving to Vero Beach in 2005 I participated in an advanced decorative finishing class offered by Faux Effects International. It changed the course of my professional and creative life, helping me to understand that I would rather be creating finishes than literally anything else! Under the tutelage of the industry’s top artisans from all over the United States I have transformed my passion into my livelihood! I am an active member of IDAL and the Vero Beach Art club.

On a personal note, I am very happily married, love to play tennis and enjoy the beauty and artistic opportunities all around me in scenic Vero Beach, FL.

What does a work day look like for you?
It all starts with consulting with my clients, in their home or professional space as well as in my studio where I have a large selection of samples and ideas boards to share. When we agree on the direction, I create samples for approval, and following that supplies are ordered and then it’s off I go to do the part I love most, application!  

What’s the craziest paint spill you’ve ever had to clean up?
It was at the end of a long day – up and down my tallest ladder. I had my plaster and paints balanced on the top step. I knew I was tired and wobbly but rather than having to pack it all up I knocked into it and all my materials went flying – it took hours to clean up! Lucky nothing got ruined and I learned to quit when exhaustion threatens! 

How would you describe your artistic style?
I employ a wide variety of designs and artistic styles from contemporary to rustic. The client’s vision drives the style. But I specialize on the abstract and whimsical side.  

Do you prefer movies or books? And what genres?
Books for sure, variety is the key for me, I have a great many interests. I listen to a lot of audiobooks while I’m working, it keeps me company! 

What’s your favorite paint color and why?
The seemly infinite hues and shades of blue reflected in the ocean and sky. The symbolism of vast open spaces, boundless power, mystery and feeling of serenity it gives me.

Explore more of Jacqui’s work at alluringwallscapes.com.

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Behind the Texture with Ellie Ellis

Behind the Texture

with Ellie Ellis

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Meet Ellie, the artist behind Elite Artistry By Ellie and “Getting Plastered With Ellie” – an immersive 12-month program dedicated to teaching the art of Plaster Relief. With a passion for three-dimensional wall sculpting, known as Bas Relief, Ellie’s innovative techniques and unique hand-sculpted background components have captivated art enthusiasts worldwide.

In “Getting Plastered With Ellie,” each month students work through a new Plaster Relief project. Ellie’s engaging teaching style and step-by-step tutorials make learning an enjoyable journey of discovery for her students.

When you were a kid, what did you want to be when you grew up and why?
As a kid, my heart yearned to be an artist when I grew up, as I found solace and joy in the act of creating. The world of colors and shapes seemed like a magical escape where I could express my innermost feelings and tell stories without words.

What was your first job as an adult and what did you learn from that experience?
Stepping into the adult world, my journey began in the magical realm of the theater. I embraced the role of a costumer and makeup artist, where every brushstroke and stitch was an expression of creativity and a chance to bring characters to life. Through this experience, I learned the art of storytelling through visual aesthetics and the profound impact of art on stage, shaping my artistic path in the world of decorative design.

What are your interests outside of decorative arts?
Beyond the decorative arts, my interests are interwoven with the joy of spending cherished moments with my daughters and grandchildren, as well as my deep love for travel. To be honest, my life is mostly spent in my studio working.

What’s something you hope to accomplish in the upcoming year?
In the upcoming year, my heart’s desire is to expand my online art classes and touch the lives of more individuals with the transformative power of Bas Relief. Witnessing my students discover their creative potential and finding their voice through art fills me with profound joy and fulfillment.

On a whim you buy a lottery ticket that ends up winning you $10 million. What would you do?
If a whimsical lottery ticket gifted me $10 million, my heart would overflow with gratitude. I would buy both my daughters a home to help and support them in these turbulent times. I would also invest in creating a collaborative art space for aspiring artists, supporting their growth and fostering a vibrant artistic community.

Explore more of Ellie’s work at eliteartistrybyellie.com.

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Behind the Texture with Kass Wilson

Behind the Texture

with Kass Wilson

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Kass Wilson is the owner and creative director of WallsTreat, an award-winning decorative artistry studio in Alpharetta, GA. Kass has had a lifelong fascination with depth of color, dimension, and design. This is what motivates her ongoing journey as an artist in the world of advanced level decorative finishes. She has been involved with the design industry for over 25 years and appreciates the opportunity to work with some of the most talented designers, architects, and builders in the area.

Inspired by a love of nature and a flair for the unconventional, Kass combines multiple mediums and advanced techniques to create innovative effects on virtually any surface. The vast array of options provides solutions that are suitable for any style. This is what elevates her finishes to a level of artistry. She is passionate about her work and it shows. “I love it when my finishes offer both visual as well as tactile intrigue. Success for me is when you want to touch my art.”  

How did you get into decorative arts and was it a career you saw for yourself early on?
Torn between the love of design vs. the fascination of science and medicine, my choice was the safe traditional role of Nursing. After 8 years working in the ER, then the coordinator of an air ambulance company, my next move was medical sales. Then there comes a time when your true passion takes possession of your heart.

My entry into the design industry began when my next adventure was a job selling commercial office furniture. My previous sales skills transferred nicely and it fed my hunger for design. During that time, one of the advantages was the opportunity to work with some of the most talented designers and architects in Atlanta. It was a lesson about the layers of design, what inspires each element and how they come together to create stunning interiors. It was apparent that a key element is the detailed finishes on each surface. This observation started my quest to learn decorative finishes.

What influences do you think shaped your approach to decorative art?
The creative mind never sleeps. Being somewhat “inventive” and having a fascination with form, color, texture and nature, it was always fun to create anything that incorporated these elements. Talented resources crossed my path who were willing to share their processes. This not only included outstanding finish instructors but also other trades on jobsites. You can learn from every craftsman … carpenters, flooring contractors, painters, tile setters and concrete artists to name a few. Architects and designers appreciate my desire to learn. They have been willing to share the reasons behind their selections because I do not compete with them. I just do one piece of their puzzle … but I do it well.

What would you say is the biggest obstacle you’ve had to overcome?
Courage…

  1. Being in commission sales prepares you for times of feast and famine. So, you just plan ahead. But I was also accustomed to having a full support staff available. It was intimidating to think of being the chief cook and bottle washer and wear all of the hats that are needed to run a business.
  2. Having no formal art or design training meant having to be self taught. The challenge was the extensive gathering of knowledge about everything from design theory to construction basics and, of course, the plethora of products that are available to achieve innovative results.
  3. It has been a lot of work. But, if you love what you do, you will never work a day in your life. I have never looked back.

What are your thoughts on Pantone’s color of the year Pantone 18-1750 Viva Magenta?
In the past hundreds of years we have repeated history in design and style. These days, everything moves at warp-speed. Interior design is no different. Most trends start with inspiration from the past. What is old becomes new again. How many dining rooms did we paint back in 2007 with Chili Pepper red?

Over the past couple of years, the trend of everything in gray and muted tones has been a reflection of the general attitude during COVID. Viva Magenta seems like a rebellion to our boredom. But with plenty of turbulence in our future, I don’t see the calm of the muted tones going away quickly. Punches of this bold color in small doses will bring some excitement and energy back into our homes.

What are some of your guilty pleasures?
One of the perks of having your own business is that you control your own schedule. Mine gets planned according to the 5-10 day forecast. On pretty days, you can find me out at a farm riding horses through lush pastures and wooded trails. This is my place of solace that completely clears my mind of concerns. It always leaves me refreshed and filled with creative energy.

Any words of wisdom for those just starting out?
To evolve into a lucrative business, you need to become comfortable wearing many hats with all aspects of business. As artists, we are not wired with this mindset but it is necessary to succeed. It can be intimidating to learn about budgeting, sales and marketing, accounting and legalities. You also need to take on the role of fireman, crisis manager and sometimes even a family therapist!

One of the most valuable time investments has been learning Photoshop. This is such a visual industry. For what we do, seeing is believing. When you meet someone, you have only 30 seconds to capture their attention. Good photos tell the story of your talents and can be used for many facets of your business. These include sales, social marketing, brochures, websites, publications, idea files as well as articles and publications.

It is not uncommon to take 20 images of a completed project and end up with only 1 or 2 “money shots”.  If you know some Photoshop editing tricks, the odds get much higher. You can use them over and over, keep them forever and even change the color tones as current trends evolve.

Hiring a professional photographer is tough on the budget. Fortunately, today’s cell phones take GREAT quality photos so no need to invest in professional equipment. There are unlimited videos on line that will make your learning curve easier. Just become committed to taking plenty of images to document your beautiful work.

Explore more of her work at www.kasswilson.com.

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Behind the Texture with Julie McDowell

Behind the Texture

with Julie McDowell

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My art evolves as I develop new and exciting techniques. With a background in fine arts, I have had a successful art career and my paintings hang in many countries around the world. In 2016 I discovered the world of decorative furniture artists, and with my decades of experience and widely transferable skills, I was soon identified as an industry leader and influencer. I have travelled all over North America teaching and inspiring others.⁠

Where are you from? Where and what did you study?
I am from the UK and did not pick up a paint brush until my youngest of 3 children started school. I started as a watercolorist, moved to acrylics and then studied for a Fine Art Degree before emigrating to British Columbia on the west coast of Canada in 2002.

What are some of your favorite decorative trends? Are there any you don’t particularly like?
I love Art Deco and Nouveau but am a rebel, I do not follow current trends, I find it stifling and would describe my work as eclectic. All trends have their place as we are all unique. Everyday there are new techniques to try and new ways to use them. I love to experiment. 

Is there a person in particular that has had a substantial influence on your style?
My main influencer is Georgia O’keeffe it was her art that inspired my constant painting of poppies and my love of colour. When I moved to Canada I discovered Emily Carr and am totally inspired by her work.

You’ve been given a large antique armoire. You can’t give it away or sell it. What would you do with it?
Oh I know exactly what I would do! I would replicate a jewelry armoire I was once commissioned to make on the theme of The Lion the Witch and the Wardrobe. I had such fun and would love to do it on a larger scale, lots of texture and raised stenciling, glazes and metallics. This is making me want to find an armoire right now!

What’s something interesting or surprising about you that most people wouldn’t know just from talking to you?
I have appeared in 2 movies one with Gwyneth Paltrow and one with Ryan Philippe. 

What’s something you hope to accomplish in 2023?
I love to teach and am currently working on a course using my new passion of using my mono printed papers in collage. Lots of colour and texture. 

See more of Julie’s work here.

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Behind the Texture with Topher & Sara Mack

Behind the Texture

with Topher & Sara Mack

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Husband and wife duo, Topher & Sara Mack, are the Artists & Owners of Artist Couple, LLC. They are both graduates from the Milwaukee Institute of Art and Design with a BFA in Photography & Printmaking respectively. In 2015 they started their business, Artist Couple, LLC in Austin, TX, specializing in murals and specialty finishes. Together they create custom spaces and artwork to individuals and businesses in Central Texas and beyond.

Where do you live and what’s your favorite part about your town/city?
Our studio/homestead is nestled deep in the Hill Country, in the lovely town of Oatmeal, Texas (yes, like the breakfast)! We love the solitude and beauty of undisturbed nature out here, especially in the Springtime when all of the wild flowers are blooming. It’s peaceful and full of nature, which we feel really helps our creativity flourish. It is close enough to the city where we can regularly enjoy the “city life” if we want to, but far enough away so we can slow down, unplug and enjoy the silence. It’s a good balance of nature and convenience for both work and play.

How would you describe your artistic styles?
We both have very different styles and strengths when it comes to our work. Topher has a loose, impressionistic and abstract style, while I, (Sara), have a more technical, clean and realistic style. We both love to challenge ourselves to create new looks and work in different styles. This sometimes makes our work seem like it comes from an entire team of artists instead of just us. Neither of us likes to do the same thing for too long, so we mix it up with different techniques and projects regularly. We are fortunate to have two different styles that work well together and can complement each other as artists.

What is your favorite thing about the decorative industry/community?
The creativity! It’s wonderful to get to work in an industry where you have the flexibility to experiment and try something new or weird, as well as perfect traditional methods and techniques. It’s amazing how others can inspire so much drive and motivation for our work and new ideas. Seeing what other creatives in the industry are doing, and chatting with them about their projects, always seems to spark inspiration for future projects and ideas.

What’s something you wish you could tell your younger selves?
That’s a tough question, because we can’t think of much we would want to change in our lives or things we regret … All of our failures and successes have made our knowledge, relationships and business what it is today and we are very happy with our life and work. I suppose we would tell our younger selves to keep on being who we are, true to ourselves and our values. Keep pursuing our passions and have patience; trust that life always works itself out if you keep pushing forward and continue to be the best version of yourself.

If you had to choose a different career, what would it be?
We both love exploring new places and cultures, so we probably would want to do something that involves backpacking, traveling and trying out different cuisines and ways of living. We would enjoy a job that involved sharing the stories of people and places around the world and immersing ourselves in new cultures. We would happily take an Anthony Bourdain or Rick Steves type job in a heartbeat!

If you could be any animal in the world, what animal would you be and why?
I, (Sara), have always thought flying would be magical. Gliding above the tree tops and through mountains and valleys sounds like a wonderful way to spend my days, so I think being some type of bird like an eagle or hawk would be nice. I think I would miss having arms and opposable thumbs, but wings would be a great alternative.

Topher says he’d probably be an Octopus, because they are smart and have cool camouflage. Plus, they have their own jet propulsion system as a means of getting around and who wouldn’t want that?

See more of Topher and Sara’s work here.

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Behind the Texture with Jill Hayden

Behind the Texture

with Jill Hayden

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It was love at first finish! I was smitten with the decorative arts after taking a college course in California. I realized what I wanted to pursue after working in the film business and eventually for a special effects company (pre-digital – where everything was made by hand). Faux finishing gave me an outlet to express my creativity along with my love for working with my hands. 20 years ago, with only the cans of paint in the garage and a mural commission, Faux Time Design was born.  

What is your favorite part about your job? 
Hard to pick just one part. The creative challenges, getting my hands dirty, and collaborating with designers and clients to fine tune and execute their vision is so satisfying. 

Also, after the tape and drop cloths are removed, the finishes always take my breath away. Who doesn’t love a good “before and after”? Being so close to the surface, the walls, ceilings and floors, I often remind myself to step back and appreciate the overall aesthetic of the finish. 

In addition, I am never bored. One day high atop a scaffold, another with my feet planted firmly on the ground. Some jobs last for several weeks and others only a day, many times with other artists or people of many trades appreciating the hustle and bustle. On other days, it’s just me focusing on my project while listening to a podcast or my favorite music. The jobs have taken me from apartments in highrise buildings all over the city to homes of all sizes. Not a dull moment to be had!

How would you describe your artistic style?
I have an appreciation for all types of art, although I am drawn to bold, serene, and modern; individually or all together – so eclectic would be a good umbrella term. 

What advice would you give someone wanting to become a Decorative Artist but who’s not sure where to start?
Find and take classes. There is an abundance of community and camaraderie in this field. All of the artisans I’ve met go out of their way to help each other to be successful. The Decorative Arts are constantly evolving and it is important to continue educating ourselves in the latest trends and materials so we know the best fit for each individual project and/or can suggest what would work in any situation.

Also, sometimes we use the phrase “walk away” If we get caught up in one part of the wall, ceiling or floor and lose the overall vision. This can make the project more challenging. I have found this pause so helpful in not getting stuck in one area too long.

Lastly, have fun! All the materials have instructions, but experimentation can lead to something new and exciting. Maybe it will become the newest trend. Whether working on the wall, or the time in the studio with the music blasting and I’m “in the zone”, I am truly enjoying myself. 

Favorite HGTV star or show and why? 
My favorite two shows couldn’t be more opposite, David Bromstad’s Color Splash and Fixer Upper with Joanna and Chip Gaines. Although David Bromstad’s show was a long time ago, I appreciated how bold he was with color and design, so ahead of his time.  The design style might not hold up as well now, but the concept of a pop of color with our finishes or in a room design remains relevant. Joanna and Chip Gaines on the other hand, create spaces that feel so peaceful, somewhat monotone with a pleasing flow. I also enjoy his humor, the genuineness of her reaction as well as her calm nature during the whole process of design.

We love HGTV in my home! Currently, one of my favorite shows is Love It or List It, because Hilary thinks outside the box to redesign houses and of course…the suspense of whether they will Love It or List It. 

What was something work related that you are particularly proud of?
I am proud of Faux Time Design’s longevity, productivity and positive feedback. I never realized it would turn into such a successful endeavor. Personally, the development of Faux Time Design and my intense love I have for my work was a significant example for my two daughters. They saw me make a career out of my passion and be successful in what I do.

In addition, we have participated in some incredible projects including charitable Showhouses, Habitat for Humanity and donating time and money for other causes. Knowing our hard work went to help others is deeply rewarding. For me, that feeling goes beyond the day to day.

If you had to pick just one color that represents you, what color would it be and why?
Teal. It is a deep blue and green. It is the color I have chosen to represent me and how I communicate and accomplish successful collaboration at work. Teal can be used as a neutral or be very bold and simultaneously add softness. As Production and Design Director, I am a facilitator. Sometimes, the client or designer makes all the decisions and I remain neutral. Other times, I’m asked for my opinion and I need to be confident and bold. Regardless of the interaction, I have to be gentle and listen carefully. 

See more of Jill’s work here.

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Behind the Texture with Aislinn Paige

Behind the Texture

with Aislinn Paige Calabrese

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Aislinn Paige Calabrese is an artist living in western Massachusetts. After graduating UMass Boston with a degree in fine arts, Aislinn worked for three years as an art teacher. Afterwards, Aislinn continued refining her craft until she eventually founded Aislinn Paige Art, a company specializing in decorative painting and murals. Aislinn’s passion for decorative painting and murals began while studying conflict resolution in Northern Ireland. She became enthralled with local murals depicting the ongoing conflict between the Irish and English and since then has focused heavily on murals and their ability to tell a story. Aislinn is happiest with her hands covered in paint or fur from her dog Auggie.

What excites you about working as a decorative artist and what do you enjoy about being part of the decorative industry/community?
Anyone who knows me knows I love a challenge and I need variety in my life. I’ve always been happiest tackling a new problem or interacting with a new person. Decorative painting offers me something new everyday. New walls to paint. New clients to make happy. Of course I can draw on past experiences for inspiration on a new project, but no two things are ever the same. I take pride in my ability to create unique pieces and find creative ways to help a client’s vision come to life.

I also love helping people find more emotion and fulfillment in their lives. Finding ways to make daily activities become experiences. We live in a world where people are looking for more. A restaurant needs to be more than tables and food, a bar needs to be more than drinks and low lights, and a yoga studio needs to be more than just a big mirror and upbeat teacher. People crave emotion and theme and meaning and they choose to spend time in places that align with their feelings. As an artist, I love the ability to help everyone find that connection, and being given the opportunity to do so is truly humbling.

What was something work related that you are particularly proud of?
The past two summers I have had the honor of working with a charity called Tommy’s Place in both Falmouth, MA and Centerville, MA. Tommy’s Place is dedicated to helping children diagnosed with cancer experience the best family vacations possible. Families can apply to spend a week at Tommy’s Place which is a dream vacation home for any child. Currently there are two houses and both are completely covered in art donated by artists all throughout Massachusettes. Rooms range from super hero themed rooms to Italian villa themed rooms. One house has a Simpsons themed tavern in the basement, there is a Breakfast at Tiffany’s room, the list goes on and on. Working with so many talented artists on such an emotional project was both humbling and inspirational. It helped me to refine my skills and gave me a sense of purpose. The founder Tim O’Connell keeps all of the artists updated with stories and pictures of kids who stay there and how truly happy they are. This experience more than any has been transformative for me.

What would you say is the biggest obstacle you’ve had to overcome?
Growing up, my biggest obstacle was my self confidence. Art was never something that came easy to me. I have worked at it my entire life. In school, I would often see students with natural talent sketching homework five minutes before class that turned out as good as any other student’s work. I would sit there wondering “How did they do that?”, “How did it come so naturally to them?” Many of these students did not even continue to pursue fine arts. It was simply something that came easily to them. And watching so many talented people pursue other passions seriously made me question my own skills and ability to succeed as an artist. I spent many years comparing my work to others. But I realized that can be a fatal flaw for an artist. We should learn from one another but we should also embrace the things that make our work our own. So I Iearned to get past comparing my art to others. I learned to accept and love my work for what it was because it was mine. My work has perfections and imperfections and rough edges and mistakes I have layered over. But I’ve learned that making something that makes me feel something and makes others feel something is what my art is really about. And that’s more important to me now than endless head games about what others are capable of.

What are some of your interests outside of decorative arts?
I am a huge fan of breweries and wineries. I love a good place to spend time with friends and family, maybe listen to live music, play some board games, walk to a food truck. I also have a mini goldendoodle named Auggie. Most conversations have a weird way of finding their way back to Auggie at some point and I think all of my friends can attest to that.

Where do you live and what’s your favorite part about your town/city?
My boyfriend and I recently bought a house in Longmeadow, MA. I grew up in western MA and after nine years in Boston being home really feels special. My family means everything to me and being so close to them, particularly my sister, mother, and grandmother, has easily been my favorite part. Through the magic of the Find-My-Friends app I’ve become an expert at popping into a restaurant when my mom and dad are out to dinner and sharing a glass of wine with them. I guess after she reads this article the secrets out on how I always run into them ‘by chance’. I also get to see my grandmother regularly which has been the best. I will stop over on random weeknights to chat about the Red Sox or really anything just to spend time with her. Along with my family, the ability to branch out and explore the Berkshires, Vermont, or pop back to Boston if a job calls for it, has been so wonderful!

See more of Aislinn’s work here.

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Behind the Texture with Jittaun Priest

Behind the Texture

with Jittaun Priest

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Jittaun Priest of Brushworks Design is a decorative artist located in Chicago, Illinois. Jittaun has served homeowners, designers and businesses in the Chicago area for the past 20 years. She does work throughout the US as well, and her work can be seen in Florida, Houston, Atlanta and Detroit. Brushworks Design style is modern, clean and timeless. Jittaun loves the use of texture and metallic paints. Her clients say she adds that extra POP! that makes a space stand out. Brushworks Design does murals, decorative finishes, faux finishes and furniture painting.

How did you get into decorative arts and was it a career you saw for yourself early on?
I’m an artist by nature … I have been doing arts and crafts since I was a kid. My talents come from 3 influential women in my life — my grandma Celeste, my mom Mary, and my aunt Michelle. I always knew that when I grew up I was going to be an artist, I just wasn’t sure how. At the time it didn’t seem as though you could make a good living as an artist, so I went to school for architecture, then switched over to graphic design. When I graduated from college, I continued to work as a graphic designer, but was bored being on the computer all the time. I wanted to do something different.

My love for interior design and art led me into the world of decorative painting. Watching HGTV in the 90’s, I fell in love with a show called The Painted House. It was hosted by a lady named Debbie Travis who was a decorative painter in Europe. I didn’t even know that a field like this existed until I saw her. I was instantly hooked. All the techniques and designs she did inspired me. I found a school in Chicago that taught me how to do the same techniques and more. I read dozens of books, and watched all the videos that I could find at that time.

Then 9/11 hit. I got laid off and decided to take a chance on myself and start my own business, JiPri Design. At first I was doing graphic design work and painting. Over time I got more and more paint jobs. I changed the name to Brushworks Design LLC and I haven’t looked back since. Here it is almost 20 years later and I’m still doing what I love.I incorporate all my skills and experience into what I do (art, graphic design, architecture and decorative painting). That’s what keeps me motivated to continue.

What influences do you think shaped your approach to decorative art?
Interior design influences me. Decorative painting was a way for me to be a part of interior decorating without going back to school and getting an interior design degree. I enjoy making something out of nothing. To change the mood of a space from basic to fabulous with paint colors and sometimes texture amazes me.

What are some of your favorite decorative trends? Are there any you don’t particularly like?
Texture and pattern are trending now. I get a lot of jobs now that either have some form of texture design or stenciling, to either mimic an expensive wallpaper or just to add something creative to a client space. The refinishing of furniture is also popular. I Enjoy working on those projects as well. The glitter trend is subsiding. As much as I like a little bling, glitter used to get everywhere and it’s a bear to get rid of … I’m glad it’s fading out.

What’s something you hope to accomplish in 2023?
My plan for 2023 is to purchase real estate and open a studio. I want to teach what I have learned in this journey. I would also like to get more into doing artwork and painting furniture.

If another decorative artist or entrepreneur came to you for business advice, what would be one of the most valuable pieces of advice that you could pass on to them?
I would tell them that it is essential to have the administrative side of the business in order. Most creative people struggle with that side of business. Get your LLC, hire a bookkeeper and accountant if you cannot do it yourself, and make sure you have contracts. I would also tell them to always be a student in this business. There is always something to learn. And don’t be afraid to be unique.

On a whim you buy a lottery ticket that ends up winning $10 million. What would you do?
I would have 2 studios. One would be here in Chicago where I would teach in the warm months. I would also like to create and have programs for the kids and teens that are interested in art. My 2nd studio would be my private studio in my beautiful home on an island like Jamaica, where it is mostly warm and I can live off the land. There I would do my artwork and enjoy the rest of my life with my family.

See more of Jittaun’s work here.

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