Behind the Texture with Stacey Van Gundy

Behind the Texture

with Stacey Van Gundy

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Stacey Van Gundy of Stacey Designs is a decorative artist located in Des Moines, Iowa. Stacey Designs has served homeowners, contractors and designers in the Des Moines area for the past 20 years. Stacey takes a multi-faceted approach to being a decorative artist. Her work has evolved from not only faux finishing, but now includes mural work, hand painted furniture and fine art. Stacey founded The Certified Home Decor Artist Training Course in 2020 to take a personal approach into growing the decorative artist industry she loves. She has now had the pleasure of teaching people from all over the US.

Please share a little bit about yourself and what influences shaped your approach to decorative art.
Prior to being a decorative artist, I was a stay-at-home mom, on an extremely tight budget, plus raising 4 children. With a love for decorating my home and with virtually no money, I turned to learning DIY faux finish techniques to update my home. This love of decorating and faux finishing was the gateway into me apprenticing with another decorative artist. After 2 years of apprenticeship, we parted ways amicably and I went on to take my first of many decorative artist classes. When I got back, I was introduced to a local builder who began hiring me on projects and I’ve been doing this amazing career ever since!

Early on in my career, I was mesmerized by all the texture and decorative artistry found in Old World and Tuscan design. There is texture and layers in the world around us and it can all be an influence. Lately I’m struck by Chinoiserie design. It pairs itself nicely with a maximalist design, but can also be traditional. 

What are your thoughts on staying current with online and social media trends? What are some things you’ve learned about doing TikTok videos and online Live events?
I think social media should be an integral part of any small business. Social media provides a great opportunity to connect with past and future clients and to collaborate with other artists. I have met so many decorative artists from all over the country that I wouldn’t have known but for social media. When we do finally connect in person, it’s like meeting an old friend for dinner, because we’ve already been friends for so long! Specifically, as decorative artists, it gives us the opportunity to show the world what we do and “why” what we do is so amazing!

One of the main things I’ve learned from doing TikTok videos and other social media such as Instagram and Facebook is to just be yourself. I really do minimal editing. If I spend too much time try to make myself and my surroundings perfect, I won’t do it. I have a couple extra iPhones and I basically set them up on tripods and record everything I paint. One is always on time-lapse, so it records fast and the other one I just do small 4 second clips of each step and then put them together. Nothing has to be elaborate and you don’t have to have a bunch of special equipment. Going live is a little bit harder. You just have to jump in and do it. I recommend going live with a friend or artist first so you’re not alone and it doesn’t feel so overwhelming. 

What job stands out in your mind as significant in some way and why?
One of my most significant jobs that stands out was a home we did about 15 years ago.  This was when everyone was knee deep in Tuscan decor. We did a textured wall finish on all the walls, along with brick break-outs, and faux brick arches. We came back every year for three years to do another room. I remember doing a multilayered metallic paint on her walls and custom ceiling drywall art finished in metallic plasters and a flourish stencil. Fast forward to about 5 years ago, the homeowner invited me back once again, but it was to change everything. The walls were updated with a new glaze technique. The breakouts were changed to look more farmhouse. We even went over the drywall art in the dining room with a glass bead finish. I think it really shows how decorative artistry can be changed as decor trends change. 

What advice would you give someone wanting to become a decorative artist? 
I would say go for it! If you are artistic, you can be a decorative artist. The first thing is you need is a portfolio of finishes to show your clients and you need a portfolio of your completed work. Whether that is doing a decorative finish in your own home or for a friend. I would also recommend finding a mentor. Someone that has been in the industry for quite a while to help you with bidding your first few jobs and just to bounce ideas off of and troubleshoot with. 

What’s something interesting or surprising about you that most people wouldn’t know just from talking to you? 
Now that’s a tough one! I’m pretty much an open book. The one thing I think of is that I’m not afraid to try new things. Whether it be learning a new art form, launching a decorative painting course, or hiking Angel’s Landing at Zion National Park. I always say that even if you try and fail, your still better off than when you started!

Favorite HGTV star or show and why?
I don’t watch a lot of HGTV, but I have always been a fan of Fixer Upper. Chip and Joanna’s quirkiness has always kind of reminded me of my husband and I. He runs a plastering and drywall company so we collaborate quite often on projects! Joanna’s beginning of decorating her home on a budget parallels with mine also, and how she tries to find innovative design solutions on a budget for her clients.

See more of Stacey’s work here.

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Behind the Texture with Erin Murphy

Behind the Texture

with Erin Murphy

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Erin Murphy is a decorative artist living on the northside of Chicago. She is part of a mother/daughter paint team, The Decorative Finish, specializing in faux finishes, hand-painted patterns and wallpaper replications. Starting her professional paint career 18 years ago, scared of heights and completely unable to tape a straight edge, she is now wildly eager when a two-story foyer pops up on her schedule and she can spot a bad trim line from a mile away.

Is there a person in particular that had a substantial influence on your style or your decision to become a decorative artist?
This one’s easy! My mom! She is my business partner and literally taught me everything there is to know in decorative painting. Starting her business in 1991 when I was just six, my first memories of creating art was sneaking down into her studio and experimenting with anything I could get my hands on. Being able to work with my mom is something I will always cherish (just don’t ask me how many times I’ve been “fired” or “went on strike” in my early ’20s).

What have you found to be successful when you’re trying to generate new business?
I would say, interior designers are your best friends. Building relationships with them, especially the ones that you really vibe well with will always generate new AND exciting business. Repeat customers, marketing, word-of-mouth…sure that’s all great and important to do, but when you build your ‘revolving door” of design teams that trust you, not only are you generating business but you’re doing what you love and who you love doing it with.

What do you enjoy most about owning your own business and what do you enjoy the least?
I love that every project is a new experience. You’re walking into a new home, you’re meeting new clients, and you are forced to expand creatively every time. Projects are like snowflakes; sometimes they appear the same, but there’s always something different about them. What I guess I enjoy least would be that I can never pinpoint when my busy or slow seasons are coming. What I’ve learned from this is to always keep a “leads list” of clients who are just fishing around that you can reach out to. I’ve also learned that when I’m busy I flourish under that stress, and for some reason I’ll just eat, sleep, and breath my projects.

On a whim you buy a lottery ticket and you end up winning $10 million. What would you do?
BYE, BYE, STUDENT LOANS! Also, I find this one funny because most people’s first answer is to quit their job. I couldn’t quit if I wanted to. Once you know how to do decorative painting, your brain just won’t allow it to stop. You see a cool shadow on a sidewalk, you immediately know what tint/glaze ratio you need to turn that into a cool technique for a moody entryway. I guess if I had millions, I’d just do it for free for all my friends and family…and take a lot more naps.

You’ve been given an antique armoire. You can’t give it away or sell it. What would you do with it?
I’d love to modernize it, but definitely give it a shock factor. Like maybe put it in my kitchen, and when it’s closed it simply appears fully restored with all of its original beauty on the outside, and when you open the doors it’s a coffee station with a bold, almost blinding metallic textured faux finish. I am a sucker for really unique hardware though, so that’d have to play a part too. Oh man, now I really just want to show you!

Favorite HGTV star or show and why?
Maybe I’m biased since she’s from Chicago, but Alison Victoria is my favorite HGTV star for sure. I love watching Windy City Rehab not only for her design esthetic, but also for her no-nonsense sass. She has a beautiful vision and she gets it done no matter what. I can appreciate that. Not to mention, she’s a complete boss at seeing the value of something old and making it even more valuable turning it new again.

See more of Erin’s work here.

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Behind the Texture with Shiree Nichole Ingram

Behind the Texture

with Shiree Nichole Ingram

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Shiree is the oldest of four girls, born in Newport Oregon and growing up in southwest Montana. She comes from a hard-working family with her father as a logger and later owning a drywall business. All four girls worked in drywall and much of Shiree’s knowledge and love for texture comes from working with her father.

How did you get into decorative arts and was it a career you saw for yourself early on?
As a girl I always loved pencil sketching and as I got older started painting. I never thought of art as a career, always a hobby. I remember comments growing up such as “starving artist”, “art isn’t a career, you can’t make money at it”, “only dead artist’s make money.” Later in life those comments would spur me on to prove them wrong.

I continued to paint and sketch for the enjoyment into my early thirties. In my twenties I worked in accounting jobs and later would start working with my father in his drywall business. He taught me many hand textures and that is where my love for textures began.

My situation in life changed and I needed to start working full-time. I wanted to do something I loved. After researching decorative finishing schools, I decided to attend Faux Effects International in Seattle, WA. I was determined to make a success of this business and incorporated Dry Creek Finishing, Inc. before attending. I also set up appointments with clients for after our return to view our new portfolio. In 2002 my father and I attended our first class together. In 2015 I renamed the business to Shiree Nichole Designer Finishes LLC. This year marks twenty years in the faux art industry.

I love learning about new products, techniques and the chemistry behind the product. There is nothing like on-the-job training and I am always learning something new. I am very grateful for the designer’s and decorator’s I work with. They all have different design approaches. I love the diversity of finishes I create and the collaboration that goes with it.

In 2006 I started painting abstract art, mainly oils on canvas. In 2017 I began abstract acrylic art on Lucite.

Over the years I have attended classes for decorative finishes, oil, watercolor and classes on prospective. I appreciate learning from so many different artists using different mediums.

How would you describe your artistic style or the esthetic you bring to your work?
Dimension and texture are very important to me. I enjoy creating elegant fine finishes to very bold abstract. One of my passions is matching wall plates on stone and granite. No two are ever alike and I like the challenge. I pay attention to trends in wallpaper, flooring and furniture and design finish samples to compliment, as the world of design is constantly changing.

When it comes to abstract acrylic art I want color, depth and fluidity. I particularly like creating on large pieces. 

What are some of your favorite decorative trends? Are there any you don’t particularly like?
I absolutely love custom live edge wood furniture pieces. I also appreciate the artistry of incorporating colorful resins into the wood giving it a more modern twist.

In my opinion I feel a more simplistic and organic approach to design is trending. It is a style that creates a peaceful and calming home atmosphere, which I feel is so critical in our busy lives. More “stuff” creates stress.

I can’t really say that there is any particular design style I don’t like. It might not be how I would want my own home decorated, but I have a great appreciation for good design in all styles.

What’s something you hope to accomplish in 2022?
I have so many different ideas, with long and short-term goals. I am grateful to have so many creative experts in their own fields helping me to grow.

Currently the plan is to create step by step faux teaching videos. The videos will include finishes made from products available to the general public. The videos will be available for purchase and I will make myself available to answer any questions that a customer might have in the process.

If you had to choose a different career, what would it be?
I would like to start an organization that provides resources for Autistic Adults to be as independent as possible, providing them with the best quality of life possible. There is such a need for parents of special needs children to be able to have the resources to plan for their children’s care when they are gone. Often the agencies that are available are limited and very costly.

What’s something you wish you could tell your younger self?
To follow my “gut” instinct and not ignore it. If something doesn’t feel right about a job or client I don’t take the job. 

See more of Shiree’s work at shireenichole.com

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Behind the Texture with Mave Alft

Behind the Texture

with Mave Alft

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How did you get into decorative arts and was it a career you saw for yourself early on?
I have always been interested in color and design. Little did I know that my artistic interests would take a new direction while studying textiles, business and fashion merchandising at Stout State University. While attending the University, I met my future husband who’s family had founded Alft Decorators in 1946. I joined the family and their painting & decorating full service contracting company and the rest is history! Early on in my career, I was taught by my father-in-law and husband… “hands on”, working in every facet of the family decorating business.

Mostly self taught in decorative painting, I began stenciling in 1972. At that time I was managing a retail paint store, home decor and stencil shop which I did for the next 20 years. Also, during this time, I was working as a decorative painter, as well as teaching stenciling and faux finishing classes. In 2001, the company downsized to a partnership consisting of me and my husband. Our new partnership began specializing in decorative paint and plaster work.

When I’m not on a finishing job, you can find me in the classroom teaching my trade. I love the networking of teaching and enjoy sharing my own learning experiences and meeting artists that share my love of decorative painting. In my classes, I encourage creativity, innovation and feedback. I teach what I have learned, and hope my tips, tricks and lessons learned the hard way on the job site will help my students avoid the issues I have had as I have taught myself decorative artistry.

In addition to finishing work, I have been a member of IDAL since the 80’s and have taught finishing classes at the “Faux Retreat”, “Camp Faux”, IDAL conferences & IDAL chapter groups…I served as a Master Class instructor & dealer for two separate Italian plaster companies which allowed me to teach & travel across the United States. I spent a short time as Creative Director for a design firm that specialized in creating faux finished panels and canvases for the high-end RV industry.

In 2020, I happily joined The Plaster Center in Minneapolis as Creative Director….now offering group and private classes, technical support, recipes & much more! In 2019, Mave’s Decorative Market was born to offer product & supplies, tech support, finishes & inspiration to the decorative industry.

How would you describe your artistic style?
The first word that comes to mind is textural! I gravitate to textures, whether in fabric, plaster or natural elements. When I asked friends this question, the response was: innovative, multi-dimensional, loose, experimental, diverse, challenging. I guess I agree, and find their answers very complimentary! I love a finishing challenge, new products and concepts in our industry, and strive for innovation in wall and ceiling finishes and use my somewhat obsessive “eye” to customize projects and create unique room designs.

What are your interests outside of the decorative arts?
Besides anything & everything related to the arts, I love gardening, traveling, theater, cooking & entertaining at my own personal “B&B”, and of course spending as much time as possible with my amazing family which includes seven grandchildren!

What are your thoughts on Pantone’s color of the year Pantone 17-3938 Very Peri?
Usually in my conservative midwest community, our color choices are warm earth tones, perhaps because of the coolness of the long winters. Very Peri is refreshing! I am a huge fan of the spectrum of blue colors, and Very Peri, with the richness of the red added, is beautiful. I am a fan of deep colors, so I love the depth of the purple –  deep, but not stark darkness! It would be gorgeous as a pick-me-up for all the neutral colors like white, beige, greige & gray that we’ve been seeing for awhile, and a great accent color for a focal area or beautiful in a special powder or dining room!

What would you say is the biggest obstacle you’ve had to overcome?
I feel very blessed to have “found” the decorative artist community & industry. Marrying ”into” Alft Decorators, an already established painting & decorating company now into it’s 76th year, allowed me to learn all sides of the industry and develop my skills. It was a natural progression for me to begin decorative artistry as my business fell into place. I would have to say that the biggest obstacle is living in a small rural blue collar community where decorative arts was not recognized as in suburban and metro areas…professional designers are almost noexistent. It was challenging to inform the public and put myself out there for clients to see what was available. Through the years, my reputation developed and this has changed a bit. I feel very fortunate to have been able to work as a finisher, travel, and teach my peers and establish my finishing business throughout the midwest & central Wisconsin area.

What’s something you wish you could tell your younger self?
“Be confident!” I wish I could have gained the wisdom and confidence earlier in life so that I could have been involved in our industry longer! I would tell myself to not be afraid, to be innovative and strong in choices regarding business and working with clients. I feel that as I developed those two strengths, my business became much stronger. I thank my mentors and the opportunities that over the years were presented to me, and try to learn something from every experience, every project, every contact!

See more of Mave’s work here.

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Behind the Texture with Terry Hansen Leibenguth

Terry Hansen Leibenguth of “Art by Terry”.

Behind the Texture

with Terry Hansen Leibenguth

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With the latest decorative finishing techniques and 28 years of providing the highest level of customer service and workmanship, Terry Hansen Leibenguth offers clients innovative and one-of-a-kind applications for residential and commercial spaces. These techniques include murals, trompe l’oeil, architectural finishes, decorative paint finishes, stenciling and custom fine art. 

Where are you located and what’s your favorite thing about your city?
The heart of Portland, Oregon is its thriving art and culture scene. Our city attracts all the creative types:  painters, sculptures, as well as fine chefs from around the world.  “Keep Portland Weird” is our city’s unofficial motto, and that is what I love about Portland.  We are surrounded by natural beauty, you can drive under a few hours to see miles of ocean beaches, the old-growth forests, the Columbia Gorge, and the scenic desert landscape. The natural beauty here never ceases to amaze me, and I am a native Oregonian. 

What are some of your favorite decorative trends? 
I love the look of textured walls, ceilings, and canvas art.  and I love the choices of textured materials. There are so many different types of products to layer, tools to manipulate products, and embellishments to add. The possibilities are endless! 

Metallic colors are my go-to favorite!  I will work with white and gray when the project calls for them, but I am so delighted to use colors. 

What are some of your guilty pleasures?
French fries, the TV show “The Good Fight”, and a fine glass of Oregon Pinot Noir!

What’s your favorite part about being a decorative painter?
There are so many things I love about being a decorative painter. Getting to use my creativity and coming up with new, one-of-a-kind finishes, and meeting wonderful clients that have become friends. I enjoy collaborating on custom art, murals and decorative finishes with insightful interior designers. Oh! Working in beautiful homes is also a real bonus. 

Is there a person who has had a substantial influence on your style?
Not particularly. I think there are parts of every artist’s work that I take inspiration from to improve my craft.

When I first started my murals and fine art, they were mostly realistic. I have loosened up over the years to abstract, stylized and impressionism, but still my mind goes to realism first, though my desire is to go to abstract. I guess you could say I am still working on finding my style.

I am in awe of so many decorative painters and muralists out there. 

What advice would you give to aspiring decorative artists?
Take all the decorative painting classes you can from a variety of teachers. I may be older than I would like to admit, but I learn new things every day on this job. There are so many great class options out there. Joining IDAL (SALI) back in the ‘90s was the best thing I ever did to learn new techniques, products, and networking with other artisans. Feel free to play, experiment, and never stop learning new things about your craft.  

Most of us are lone wolves working out there and we all need some advice now and again. I have found that most decorative artisans are willing to share their knowledge. Facebook groups are a safe platform to get answers. I am a believer in that there is enough work for all of us. 

Don’t forget to always make time for marketing your work, even if you are busy. You don’t want to be the best kept secret in town, so share what you do with people. I am still working on practicing this one myself. 

See more of Terry’s work at artbyterry.com

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Behind the Texture with Cecelia Murphy

Cecelia Murphy

Behind the Texture

with Cecelia Murphy

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Offering a fresh reimagining of the traditional decorative painter, Cecelia creates hypercustomized handpainted surfaces for residences, retail and hospitality. Her creations include bespoke murals and wallcoverings on a variety of substrates including silk and gold foil, as well as digitally printed wallpaper and textiles from original painted designs.

How would you describe your artistic style? Are there specific artists or influences that helped to shape your work?
Lush, worldly, immersive. And increasingly atmospheric. I started out paying homage to the great historical wallpapers, Chinoiserie, papiers peints panoramiques and scenographic French wallpaper. But increasingly, nature and my own voice, and delving into different fine art traditions, symbolism, and meaning. I think there is room for this even in the design world.

What industry trend are you absolutely in love with? 
I love a rich, painterly full panorama. Painting the walls so they dissolve. So you’re living inside a painting, or a theater set.

What is your favorite thing about the decorative industry/community?
My designer clients are more than customers to me – we are co-collaborators in a grand vision of ‘Gesamtkunstwerk’: a total work of art that someone gets to live in (residential) or open to the world (hospitality, commercial, public).

I choose my designer clients carefully knowing they will be “painting in” the foreground to the backdrops I create with my wallcoverings. The furnishings, art, palette, and mood they curate in the mural room tell a meaningful collaborative story: a triangulated conversation between the homeowner, the designer and the artist (me). And when it goes right, this collaboration gives me so much joy.

What would you say is the biggest obstacle you’ve had to overcome?
Understanding that it takes time. This is my second career. I came from the language translation industry with daily deadlines, immediate turnaround, rapid communication, everything quantifiable. Getting started as a professional artist happens at a totally different cadence. It feels slow like geological or evolutionary time if you’re used to modern inbox rhythms. Things have picked up but keeping it slow-ish to begin is also healing my frazzled, notification-addicted brain.

There’s a huge social and emotional component: making yourself vulnerable, networking and self-promotion, lots of disappointment at first. Eventually you realize it’s a numbers game and you might actually paint for 1 out of 20 people that enthusiastically inquire about your work. I’ve learned that that’s okay. You’ll need to talk to 100 people maybe. Maybe 500. Always be talking! Always be connecting.

Logistics and planning are maybe the hardest part. I’m often part of a larger construction schedule where projects can be delayed for a year. You try to fit people in like puzzle pieces in your year and sometimes things you counted on don’t go through. Even if you collect a deposit, these didn’t-happens are disappointing in the portfolio-building years, because you need to show what you can do in order to book more of it. It’s been a process to find the confidence to build into my terms and conditions the fact that I can’t always move people around.

And finally the artist’s conundrum of honing in on one style among your vast potentials. I perceive possibilities like a kaleidoscope; I want to try everything and I have so many ways that I would like to be able to paint. Refining what I offer has been a challenge, but absolutely necessary, since everything you attempt at this scale (12 foot ceilings, hello) requires some mastery and even if you’re a fast learner you can’t always be reinventing the wheel.

Maybe I’m the worst person to be giving that advice because I do still work in a wide range. I actually never plan to give that up; probably the most consistency I can aim for is a singular, identifiable voice that speaks in a few different languages. 

What’s something you hope to accomplish this year?
I’m going to spend some time painting at small scale and en plein air. This should help me study more intricacies of light, depth and atmospheric perspective that I can then translate to my murals.

Oh, and I’m launching a wallpaper collection, which I hope to accomplish this year but it might be 2023, does that count?

What advice would you give to aspiring artists?
Figure out what you really need in order to make your best work happen. I need a lot of sunlight, windows, bike rides, swimming, giving and receiving support. Give yourself these things even when it feels indulgent or frivolous.

Be boundaried about social media and Instagram in particular – it can be addictive, toxic and devastating to your growing creative self esteem; it’s also a magic teleporting machine and a portal to serendipitous connection. Use it wisely.

Try working Julia Cameron’s The Artist’s Way with a group. I’m doing this right now, just beginning – I’ll report back next year with results if you’ll have me again!

Oh- and, if you are a muralist, get yourself some Golden Paintworks products, I’m not kidding, I use them in all of my large scale work. Especially the Slow Dry Fluid Acrylics and especially the neutrals. Nothing you can get in an art supply store comes close.

See more of Cecelia Claire’s work at https://www.ceceliaclaire.com/.

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Behind the Texture with Dee Lenehan

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Behind the Texture

with Dee Lenehan

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Deanne Lenehan from Lenehan Studios specializes in unique and innovative painted solutions for interiors, which include faux finishes, murals, custom fine art and more. She loves to collaborate with interior designers and clients alike to create unique and beautiful spaces that will be enjoyed for years. Lenehan has served clients across the mid-Atlantic and loves to travel wherever the project may take her.

How did you get into decorative arts and was it a career you saw for yourself early on?
Growing up I was always making something, whether it was a castle made from cardboard boxes with my best friend or puppets from papier mache´. My family is very creative and drawing came naturally to me. During summer visits to Michigan to visit family, my grandmother, who was an elementary school art teacher, nurtured my interest in art. We would often stay up till two in the morning making something. As I got older I was always was able to adapt my technique in order to mimic different styles of art, so I never truly felt like I had my own artistic voice. I decided I would become an art teacher because I knew I wanted to have a career in art and I wanted to make sure I had a stable income. During my first year teaching in 2001, a friend asked me to paint a mural in her daughter’s room and I was hooked. Not only could I paint for a living, I could be my own boss. I realized with this skill and my fine art background that I could paint for others what they want, thus using my ability to adapt my style to the client’s desires. At that point I discovered decorative painting in all of its forms, a career path that before then I didn’t know existed. After growing my business on the side, I quit teaching and went full time in 2008.

Where are you from? Where and what did you study?
The short answer is Baltimore. The long answer is my family is originally from the Detroit area. My parents moved to Maryland following my dad’s career. I still have family in Michigan but a lot of my cousins now live all over the country. I earned my Bachelors of Science in Art Education at Towson University in Baltimore and have also studied at Maryland Institute College of Art, Pratt Institute and McDaniel College. I’ve had the opportunity to study with artists including Jean-Luc Sable, Pierre Finkelstein, Carolina D’Ayala Valva, and William Cochran both in the US and in Europe.

What are your interests outside of decorative art?
Besides creating my own personal paintings, I like to make beaded jewelry. I also grew up playing string bass and I now play in a bluegrass/Americana band. I am an assistant coach for the local high school mountain bike team and I do CrossFit. I also have a goal to get back to riding motorcycles. Besides all of that I have two cats and an amazing boyfriend who lives in LA who also happens to be a decorative artist!

What are your thoughts on Pantones color of the year, Pantone 17-3938 Very Peri?
I think that “Very Peri” is an interesting choice and a departure from the 2021 colors of the year. I personally really like the warm blue hue, it reminds me of my favorite flowers, lavender and lilac. I think blue is a very versatile color and with this warmer blue hue it can lend itself to both analogous palettes as well as brighter, cheery complimentary color schemes. I can see it layered in with pinky reds and mauves to create a soft and inviting environment which is perfect for the current state of affairs in the world. Conversely I can see it paired with a yellowy orange to make it pop. 

Whats your favorite thing about the decorative industry/community?
I love seeing artists help each other, whether it be with figuring out a finish, coming together to lend a hand on a larger project, or even sharing stories. Our industry is unique in that we are typically an isolated bunch with most of us working solo. With the tools of social media we can reach far beyond where we live to seek support and inspiration. But most of all I love the creativity; in finding solutions to design challenges, creating new finishes, new ways to use age old materials, or even the use of new products.

When I first started this journey I was eager to learn about different faux techniques, but traveling wasn’t feasible at the time. I had grown up taking art classes but the world of decorative painting was new to me. My first class was at a local studio owned by a woman that a friend had met. With the advent of chat groups and then Facebook groups I learned so much, far beyond that local studio. With social media we are able to share and connect more easily.

What influences do you think shaped your approach to decorative art? 
Boy thats a question! I would say the two biggest influences have been my teachers, both in school and in the decorative painting world, as well as my travels. I gravitate to artists who I would say are more traditional in their style. I am drawn to the challenge of realism and technical skill. I appreciate the talent, and more importantly, the dedication to the practice of perfecting techniques but also brush work and efficient use of color. Being fortunate enough to travel and experience different cultures and environments have definitely influenced my work.

However, oftentimes I am asked by clients and interior designers to create finishes that are anything but traditional. Sometimes they’re inspired by texture found in nature, a wallpaper sample, or they’re looking for a certain vibe but they just don’t know what. It’s my job as an artist is to use my skills to meet their request. With my knowledge of techniques and experimenting with different media I can come up with innovative finishes. I think that is the definition of what it means to be a decorative artist.            

For those interested, I have started a “Finish Challenge” series where I take inspiration items and create finishes based on them. I will be launching a Facebook “Live” (or Instagram, I haven’t decided which platform would be better,) where I will demonstrate a finish and get a chance to talk and answer questions from viewers. If you are interested in watching and perhaps even creating your own finish along with me, make sure you subscribe to our newsletter and follow us on both Instagram and Facebook. If you have a Finish Challenge for me, send it my way and I may use it to create a finish live!

See more of Lenehan’s work at lenehanstudios.com

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